After a failed
apprenticeship, working her way up to head housekeeper of a posh London
hotel is more than Sara Smythe ever thought she’d make of herself. But
when a chance encounter with Theodore Camden, one of the architects of
the grand New York apartment house The Dakota, leads to a job offer, her
world is suddenly awash in possibility—no mean feat for a servant in
1884. The opportunity to move to America, where a person can rise
above one’s station. The opportunity to be the female manager of The
Dakota, which promises to be the greatest apartment house in the world.
And the opportunity to see more of Theo, who understands Sara like no
one else...and is living in The Dakota with his wife and three young
children.
In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey’s grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won’t see a dime of the Camden family’s substantial estate. Instead, her “cousin” Melinda—Camden’s biological great-granddaughter—will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda’s vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in...and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell’s Island.
One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages—for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City—and take refuge and solace in the Upper West Side’s gilded fortress. But a building with a history as rich—and often tragic—as The Dakota’s can’t hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden—and the woman who killed him—on its head.
In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey’s grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won’t see a dime of the Camden family’s substantial estate. Instead, her “cousin” Melinda—Camden’s biological great-granddaughter—will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda’s vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in...and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell’s Island.
One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages—for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City—and take refuge and solace in the Upper West Side’s gilded fortress. But a building with a history as rich—and often tragic—as The Dakota’s can’t hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden—and the woman who killed him—on its head.
This is one of those stories that I wish I could read again for the first time. I thought all of the characters had great dimension and sucked me right in. The star of the story is of course The Dakota, which I immediately read more about as soon as I finished. I have drove past the building before when visiting New York City, but I definitely will be making a stop next time to view the gorgeous details that were described. Fiona Davis weaved a masterful story that kept me engaged from page one and never faltered. I would highly recommend historical fiction fans to check it out and I will definitely be on the lookout for more titles by Fiona Davis.
* I received this book from the author/publisher in exchange for an honest review *
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